Spirit Noir

From Grigbertz

Dark City

Sonia Wight and Phoenix have a long talk on the nature of reality. Phoenix expresses her anxiety that her presence in Dark City is puting the entire world at risk. Sonia Wight explains her essentially Solipsistic world-view - the world is shaped by common perception. Dark City is a virtual world of some kind - an astral construct, a computer construct, a dreamland, or horizon realm.

Mistress Alexandra joins them. Her work load with Camille Reichenbach has lessened considerably as Camille's condition improves. Together they recap their options and plan what to do with the Technodemons.

Sonia Wight goes to a meet with Judas White, and he delivers a huge soviet-style briefcase to her in a noir-style bar. Sonia discovers that she is being watched, and joins the rather lacklustre piano player as a singer - doing it well and finding that she is enjoying it. TRON then creates a hologram of her while she escapes backstage. Continuing to act out her role, Tron overdoes it, throwing herself on one of the persuers, who promptly try to shoot her with a plasma gun. All hell break slose. Meanwhile, Sonia Wight suggests the two guards outside thatthey are bored andwant to go iside, and escape in the commotion.

Phoenix goes to Mistress Medusa at the Dominatrix Coven and takes part in a shamanic ritual - she leaves all the trappings of this world behind, and goes skyclad into the ritual area, where she has her nude body painted with occult grafitti. She experiences some rather distinct but still unclear visions, showing that this is indeed a path that can be taken.

Sonia Wight rejoins the others atthe Dominatrix Coven and plans fgor a spirit quest are finalized.

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